39 independent record labels 1950s

The Joy of 45 Collecting: Reissues and Reissue Labels This series started out highlighting artists on the Era record label, but it branched out into other artists as time went on. It was a fairly bare-bones series, with minimal information on the labels. It concentrated on 1950s and 1960s artists though remaining in print through the 1970s. What's in a Label: A Look at Atlantic Records | Discogs The Look. Like most major record companies, Atlantic has used a vast assortment of logos, label colors, and designs during its decades-long history, beginning with a stylized capital "A" underlining the remaining letters with its crossbar, framed in black against red, yellow, and other background tones. An alternate, less aggressive logo ...

The Independent Record Labels Of The 1950'S... | Term Paper Warehouse The Independent Record Labels of the 1950's and 1960's History of Music Production Eric Eller Throughout the 1950's and 1960's, a wave of new musical movements by independent record labels and new artists emerged in the United States. This movement is captured in the stories of those label creators and owners, and in the turbulent ...

Independent record labels 1950s

Independent record label - Wikipedia An independent record label (or indie label) is a record label that operates without the funding or distribution of major record labels; ... From 1940s to 1950s, R&B indie labels such as Savoy, Apollo, King, Modern, Mercury, Imperial, Specialty, Red Robin, Duke and Vee-Jay Records were founded. The Rise of Independent Record Companies and Rock 'n' Roll The small labels were in a perfect position to satisfy the new mass audience of record buyers. The big labels were slow moving. They were top heavy and making decisions took a long time. Often they were so slow that they missed out on signing potentially great stars. Most of the small labels were pretty much a one or two man show. POP VIEW; The Little Record Labels That Could (and They Did) One of the most significant of these outbreaks was the appearance in the late 1940's and 1950's -- overnight, like so many mushrooms -- of countless small independent record companies based in ...

Independent record labels 1950s. What happened to radio DJs?: Payola, rock and roll, and race in the 1950s This allowed independent record labels and BMI, the insurgent music rights clearinghouse competing with ASCAP, to grow and take market share. ... FTC, and FCC probes in the late 1950s focused primarily on small, independent record labels' relationships with disc jockeys. Lawmakers saw only nefarious reasons for the rise of rock and roll ... Rock History: Early Influences and 1950s - Sheldon's Shindigs Thanks to the new technology innovations in the 1950s, independent recording labels began popping up all over the country, creating a competition for them to create new musicians all around. The major labels had the advantages of large distribution networks, guaranteed shelf space in record stores, and economies of scale, but the independent ... At the Margins of Music: The Early LPs of Prestige Records By the late 1950s, the industry standardized so that most labels released music on either 12-inch 33 1/3-rpm albums or 7-inch 45-rpm singles. During this decade of transition (1948-1958), both major and independent record labels had to adjust their infrastructures for recording, producing, and manufacturing based on a rapidly changing and ... The Independent Record Labels of the 1950's and 1960's 4291. Throughout the 1950's and 1960's, a wave of new musical movements by independent record labels and new artists emerged in the United States. This movement is captured in the stories of those label creators and owners, and in the turbulent journey through their successes and failures. The first emergence was fueled by multiple factors ...

The Joy of 45 Collecting: Eye-Catching 45 Record Labels Label art from tiny record companies who never pressed LPs adds an eye-candy component not found in LP collecting. Even the labels of larger companies make more of an impression visually on a 45 record, since the label is more prominent. If you're like me, you'll get a kick out of scrolling down this page to see all of the rare and interesting 45 record labels that were used in the 1950s-80s. 50sPopMusic.com The major record labels started recording covers in the early 1950s to deal with the threat of 'cross-over' songs from the rhythm and blues and country artists. The major labels didn't want the specialized country, R&B, and black musicians to threaten the dominance the major studios enjoyed in the mainstream POP music market. The Independent Record Companies - History of Rock An independent record label are record companies that produce and distribute records without the funding of major record labels; they are a type of small to medium-sized enterprise. ... In the late 1940s and into the 1950s, the American music business changed as people began to more quickly learn the industry. Several companies set up their own ... Record labels that rocked our world - The Independent Despite healthy record sales, the label suffered a cash-flow crisis in the early 1990s, but was saved from bankruptcy in 1994 by PolyGram, which bought Sony's 50 per cent share in the label.

Independent record labels and producers | Britannica During the late 1960s and early '70s several labels were launched by the managers of artists, including Andrew Oldham's Immediate, Chris Wright and Terry Ellis's Chrysalis, and Robert Stigwood's RSO, all in Great Britain, as well as David Geffen and Elliott Roberts's Asylum in Los Angeles. Among many labels set up by producers, Kenny ... The Independent Labels - University of Idaho Some of the most important labels were Atlantic, Chess, Elektra, Imperial, King, Specialty, and Sun Records, followed later in the 1950s by Stax and Motown. Atlantic Records was established in 1947 by Ahmet Ertegun and Herb Abramson and focused on recording black rhythm and blues artists. Music Industry History 1950s - Playlist Research 1950s. - In the early 1950s the big five major record labels were Columbia, RCA Victor, Decca, Capitol and Mercury. Capitol had risen to being the fourth biggest label in 1955 when EMI, the biggest UK record operation, bought Capitol for $8.5 million. From 1954-1958 independent labels issuing rock and roll and r&b recordings dominated the ... Category:Record labels established in 1950 - Wikipedia Categories: Record labels established in the 1950s. Entertainment companies established in 1950. Mass media companies established in 1950. 1950 in music. Record labels by year of establishment. Hidden categories: Navseasoncats year and decade.

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The Independent Record Labels of the 1950's and 1960's Eric Eller. Throughout the 1950's and 1960's, a wave of new musical movements by independent record labels and new artists emerged in the United States. This movement is captured in the stories of those label creators and owners, and in the turbulent journey through their successes and failures. The first emergence was fueled by multiple ...

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Hist of Rock #1 Flashcards | Quizlet which best describes mid-1950s independent labels. had more rock and roll hits than the majors. buddy holly's hometown. lubbock, texas. nor va jak studio owner. ... what was NOT an important independent record label in the 1950s. RCA victor. he was the inventor of bluegrass. bill monroe. bass players often slapped the strings of their ...

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45 rpm records 1950s and 1990s | PopBopRocktilUDrop The 1990's witnessed a reprieve for the little guy - the rebirth of sorts of the independent labels. Nearly anyone with a notion could produce a 45 EP. Essayist Art Chantry explains, "Anything was conceptually possible, budgets consisted of whatever anybody could build with a few bucks and a few man-hours." ... 45 rpm records 1950s and ...

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The Independent Record Labels of the 1950's and 1960's | Bartleby 4437 Words. 18 Pages. Open Document. The Independent Record Labels of the 1950's and 1960's History of Music Production Eric Eller Throughout the 1950's and 1960's, a wave of new musical movements by independent record labels and new artists emerged in the United States. This movement is captured in the stories of those label creators ...

Island Records- The "Pink Label" Era - The Vinyl Press

How Indie Record Labels Work - The Balance Careers An independent label, also known as an indie label, is a record label that is independently funded and not connected to one of the big three major labels — Universal, Sony and Warner. Indie labels range from home-based hobby labels to highly profitable, large businesses. In the 1990s, the line between indie labels and major labels began to ...

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Music Industry History 1920s - Playlist Research 1920s. - Brunswick emerged as the most successful new independent label following the post-World War I boom of new record labels. In 1925 Brunswick became even bigger by acquiring the Aeolian Company and Vocalian Records. - The industry standard became 78 rpm shellac records by 1925, although this format had been in existence since the late 1890s.

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Independent Record Labels of the Early Rock Era Independent Record Labels of the Early Rock Era By Year Founded. 1942 o o Savoy (Herman Lubinsky) Newark, Newark, New, Jersey o o Beacon (Joe Davis) New York, New York o o Excelsior (Leon & Otis Rene) Los Angeles (Exclusive in 1944) ; 1943 o o Apollo (Ike & Bess Berman) New York, New York o o Premier (Robert Sherman) Los Angeles (becoming Atlas in 1945)

Shake Your Hips: The Excello Records Story - American Blues Scene

Part 3: Independent Labels Find Success - NCpedia Independent Labels Find Success. World War II and the 1940s brought many changes to the recording industry. Early in 1942 the government restricted the use of shellac needed for 78 rpm record production. That July J. C. Petrillo, president of the American Federation of Musicians, announced a ban on all recording and closed down the studios for two years.

CVINYL.COM - Label Variations: Era Records

The Rise and Fall of Record Labels - Claremont Colleges Many more record labels entered the scene in the 1950s but eventually the record labels began to merge and consolidate to form a few corporate giants. The 1960s were a decade of consolidation in the recorded music industry. Due to economies of scale and the large-scale distribution needed to truly commercialize the

Lot of Vintage Records

History of R&R CH 2 Flashcards | Quizlet Which 1950s movie featured Bill Haley's "(We're Gonna) Rock around the Clock"? Blackboard Jungle. Alan Freed began his career in. Cleveland. ... Explain how payola was beneficial to indie record labels as well as independent radio stations. They used it to compete with the greater resources of shared by major labels. Independent radio stations

VinylBeat.com: LP Label Guide: Record Labels A - C: COMMAND

POP VIEW; The Little Record Labels That Could (and They Did) One of the most significant of these outbreaks was the appearance in the late 1940's and 1950's -- overnight, like so many mushrooms -- of countless small independent record companies based in ...

Cameo Parkway "The Greatest Hits" album cover

The Rise of Independent Record Companies and Rock 'n' Roll The small labels were in a perfect position to satisfy the new mass audience of record buyers. The big labels were slow moving. They were top heavy and making decisions took a long time. Often they were so slow that they missed out on signing potentially great stars. Most of the small labels were pretty much a one or two man show.